At the end of each month, I'm going to give a short update on my life and my writing, divorced from me telling you what to read and me making strange VS concoctions. Why am I going to do this? Because...because...I'm not actually sure why. Rest assured, the comics goodness will be returning shortly!
The two stories I made mention of last month - Pittsburgh Blue and I Am Very Important - were both rejected. While this doesn't necessarily surprise me, it is nonetheless disappointing. I will be trying to find a place to resubmit each of them, and you'll find out if I do.
Spacewesterns.com is accepting submissions, and as weird as it sounds, the second I heard the name of the site I came up with a story. It's not done, but I'm currently working on The Lonesome Death of Kara Inanna for submission, and, again, if I complete it, you'll hear about it.
Finally, it's National Novel Writing Month! If you've never heard of it and fancy yourself a writer, I recommend you check out their website - it's a strange concept, but it appeals to me, so I've signed up to give it a shot this month. The goal is, of course, to write a novel in a single month. Yes, 50,000 word minimum. One month. They do not help you get it placed, they don't help you sell it, they don't critique it. Why are you doing it? Because you hate yourself.
Nonetheless, as anyone who knows me knows, I'm so full of self-loathing I could pop, so this is right up my alley! Between this and 'Lonesome Death', I'll be writing a frankly embarrassing amount of fiction, but never fear - the blog will not be ignored! The reason for the recent lack of posts involves a dispute between me and my Internet provider, who shall not be named but who I wish to smite with the power of a million exploding suns. When that is resolved, expect posts detailing some interesting comics, decks featuring cards that no competent VS player would ever use (including a deck based around Warworld...because how great was Warworld?), and other such generic ramblings as you've come to expect from The Seventh Soldier of Apathy!
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Tuesday, October 28, 2008
Sunday, October 5, 2008
Coming Soon to a Blog Near You
Recent troubles with Verizon have forced me to cut back a tad on my Internet use, but I'm working through that right now as best I can, and thought I'd keep you all apprised of the situation. Meanwhile, not a huge update today, as I'll largely be job hunting, homework doing, working on a new story, scripting a comic, and reading - a fairly busy day. Still, I thought I'd give a list of what's to come on the Seventh Soldier of Apathy this month, beginning, in all likelihood, tomorrow, and in no particular order whatsoever.
On top of the occasional Clone Wars deck list, I'll be branching out and embracing the current Bring Your Own Two Teams format with a few strange deck lists.
Another 'The Best Books You Aren't Reading' or two, and a few extra comics related posts. On top of that, I figure I'll branch out even more and continue to flaunt my excellent taste by suggesting some fairly excellent novels in a variety of genres.
Reactions to the beginnings of the MEV previews, since we've now seen a grand total of 5 shockingly solid cards in a set that looks like it'll be a blast.
And finally, at the end of the month, updates on where my stories are submitted, and whether they've been rejected or accepted.
So, that's that. Another month on my blog as we come up on my one year anniversary. To my loyal reader in New York City, the one I think I have in Chicago, and another one I'm kind of confident about in mid-Ohio - I hope you have an excellent month, I hope you stick around, and if you have any sort of feedback on the kind of things you'd like to see more - or less! - of, feel free to let me know.
On top of the occasional Clone Wars deck list, I'll be branching out and embracing the current Bring Your Own Two Teams format with a few strange deck lists.
Another 'The Best Books You Aren't Reading' or two, and a few extra comics related posts. On top of that, I figure I'll branch out even more and continue to flaunt my excellent taste by suggesting some fairly excellent novels in a variety of genres.
Reactions to the beginnings of the MEV previews, since we've now seen a grand total of 5 shockingly solid cards in a set that looks like it'll be a blast.
And finally, at the end of the month, updates on where my stories are submitted, and whether they've been rejected or accepted.
So, that's that. Another month on my blog as we come up on my one year anniversary. To my loyal reader in New York City, the one I think I have in Chicago, and another one I'm kind of confident about in mid-Ohio - I hope you have an excellent month, I hope you stick around, and if you have any sort of feedback on the kind of things you'd like to see more - or less! - of, feel free to let me know.
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comics,
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writing
Saturday, September 27, 2008
Weekend Update
I'm sure I've mentioned it before, but I really do enjoy writing. I'm not quite my finest when it comes to blogging, but then, I'm not exactly blowing the roof off the fiction scene, either. Nonetheless, I thoroughly enjoy writing, and I figure, if you're a regular reader, you probably don't mind reading my writing, so I thought I would post an occasional update of where my fiction is or could be in the near future, in case any of you are bored or curious.
First off, I have a story under consideration for "Chicago Overcoat", a print anthology based off the theme 'hard-boiled detective meets (blank)', in which you mix up the noir genre with whatever the hell you want. My story, titled "White Pittsburgh", mixes it up a little with some minor urban fantasy in the form of ghost hunting.
I only have one other story currently under consideration, and that's for Sam's Dot Publishing, which has an upcoming print anthology titled "The Book of Tentacles", a collection of stories that involve tentacles in some way or another. Some will be horror, some will probably be a little porny. My "I Am Very Important" is an absurdist comedy.
This brief bit of self-pimpery comes in the form of, if I'm right, my 100th post of 2008. I don't know how either story will turn out, in the long run. I enjoy both stories, but neither is, I believe, a guaranteed entry. Still, wish me luck - and I'll definitely keep you all in the loop with the status of these stories and any other submissions I make in the near future.
Have a great weekend, all of you, and thanks for sticking with me!
First off, I have a story under consideration for "Chicago Overcoat", a print anthology based off the theme 'hard-boiled detective meets (blank)', in which you mix up the noir genre with whatever the hell you want. My story, titled "White Pittsburgh", mixes it up a little with some minor urban fantasy in the form of ghost hunting.
I only have one other story currently under consideration, and that's for Sam's Dot Publishing, which has an upcoming print anthology titled "The Book of Tentacles", a collection of stories that involve tentacles in some way or another. Some will be horror, some will probably be a little porny. My "I Am Very Important" is an absurdist comedy.
This brief bit of self-pimpery comes in the form of, if I'm right, my 100th post of 2008. I don't know how either story will turn out, in the long run. I enjoy both stories, but neither is, I believe, a guaranteed entry. Still, wish me luck - and I'll definitely keep you all in the loop with the status of these stories and any other submissions I make in the near future.
Have a great weekend, all of you, and thanks for sticking with me!
Thursday, July 10, 2008
Public Service Announcement: Want to Write Comics?
Comics is a freakin' hard business to break into. One writer famously (to certain circles...of extreme geeks) compared breaking into the comics industry to breaking into a fortified medieval castle. As soon as one person finds a way to break in, the people at the castle say, "Well, shit, this is obviously waaaaay too easy" and they seal that entrance off. What the person was trying to say was, everyone has to find their own way in, because there is no surefire way to get in aside from, of course, being personal friends with Joe Quesada or Dan Didio.
Now, there are a lot of things you can do. There's the "Keep plugging away at it and hope you get it right some time" approach, and I suppose if it works for sex, it could work here, too. It's tough, but if you get published in a variety of places and occasionally drop your name in the right circles, you could get an invite to pitch a story, or you could just get a pitch accepted at certain publishers.
There's the contest route - that's more for artists, though. Writers rarely get contests (though the Shadowline segment of Image comics deserves a MASSIVE heaping of respect for their recent writing contest - "Who Wants to Create a Super-Heroine?" Look it up.) so that's unreliable.
There is always, of course, showing up to conventions and praying. Wouldn't recommend it, but it's worked before.
The point is, there are plenty of ways. That's not what this post, which shall be quite brief, is for. This post is for one thing: to begin to compile a list of comics companies that accept blind or relatively blind submissions. If you want to write comics but aren't confident in your networking skills, these guys are your best bets to get that foot in the door. This list is pretty small right now, but as I do more research, I'll update this occasionally.
Avatar Press
Avatar Press has recently begun to make a pretty sizable splash in the comics world, getting a number of projects from creators like Warren Ellis. Books like Anna Mercury, Gravel, and Doktor Sleepless are all published by Avatar, as well as a number of other projects. Avatar also accepts submissions from unknown writers AND writers pitching projects with no artist attached - a relative rarity, it seems.
There are problems, of course: one thing Avatar wants is an 8-12 page story featuring a character they own, but as you peruse the website, you may realize that it's rather difficult, or potentially impossible, to find a list of characters they own. That's just one small problem with the whole process, but they're still a good potential publisher for you. Violence, sex, and language all seem to be acceptable, and their content ranges from spandex to occult murder mysteries.
Dark Horse
Dark Horse seems to accept blind submissions as well. Their guidelines for submissions are clearly spelled out. They don't seem to accept e-mail submissions, which is honestly a little bit disappointing, but totally understandable. Dark Horse is probably a more recognizable name to you than Avatar Press, so you may want to give them a shot.
Finally (for tonight), a surprise...
Marvel
Marvel Comics, as one of the big two - as, perhaps, the bigger of the big two - is something of a shocker. But they do accept 'blind' submissions. Their process, however, is notably more rigorous. Before you get to pitch your series "Gambit and the Sex Hounds of the Bayou", you first need to send an inquiry listing your writing experience. Then, that on file, they'll contact you if they want to hear from you. It's at that time it seems you can make your pitch. So, not quite blind acceptance, but it's pretty damn close to accepting unsolicited submissions.
Ultimately, with hard work, you can probably break in. I wish any of you trying luck, and I'll talk to you all later. Hopefully about VS. It's hard to talk VS when you don't have anyone to play with, but I'm trying to teach my girlfriend how to play. I don't think it's going well.
Ah, oh well. Enjoy your reading, your writing, and your gaming, in whatever order you most enjoy reading, writing, and gaming, and I'll be posting again semi-soon.
Now, there are a lot of things you can do. There's the "Keep plugging away at it and hope you get it right some time" approach, and I suppose if it works for sex, it could work here, too. It's tough, but if you get published in a variety of places and occasionally drop your name in the right circles, you could get an invite to pitch a story, or you could just get a pitch accepted at certain publishers.
There's the contest route - that's more for artists, though. Writers rarely get contests (though the Shadowline segment of Image comics deserves a MASSIVE heaping of respect for their recent writing contest - "Who Wants to Create a Super-Heroine?" Look it up.) so that's unreliable.
There is always, of course, showing up to conventions and praying. Wouldn't recommend it, but it's worked before.
The point is, there are plenty of ways. That's not what this post, which shall be quite brief, is for. This post is for one thing: to begin to compile a list of comics companies that accept blind or relatively blind submissions. If you want to write comics but aren't confident in your networking skills, these guys are your best bets to get that foot in the door. This list is pretty small right now, but as I do more research, I'll update this occasionally.
Avatar Press
Avatar Press has recently begun to make a pretty sizable splash in the comics world, getting a number of projects from creators like Warren Ellis. Books like Anna Mercury, Gravel, and Doktor Sleepless are all published by Avatar, as well as a number of other projects. Avatar also accepts submissions from unknown writers AND writers pitching projects with no artist attached - a relative rarity, it seems.
There are problems, of course: one thing Avatar wants is an 8-12 page story featuring a character they own, but as you peruse the website, you may realize that it's rather difficult, or potentially impossible, to find a list of characters they own. That's just one small problem with the whole process, but they're still a good potential publisher for you. Violence, sex, and language all seem to be acceptable, and their content ranges from spandex to occult murder mysteries.
Dark Horse
Dark Horse seems to accept blind submissions as well. Their guidelines for submissions are clearly spelled out. They don't seem to accept e-mail submissions, which is honestly a little bit disappointing, but totally understandable. Dark Horse is probably a more recognizable name to you than Avatar Press, so you may want to give them a shot.
Finally (for tonight), a surprise...
Marvel
Marvel Comics, as one of the big two - as, perhaps, the bigger of the big two - is something of a shocker. But they do accept 'blind' submissions. Their process, however, is notably more rigorous. Before you get to pitch your series "Gambit and the Sex Hounds of the Bayou", you first need to send an inquiry listing your writing experience. Then, that on file, they'll contact you if they want to hear from you. It's at that time it seems you can make your pitch. So, not quite blind acceptance, but it's pretty damn close to accepting unsolicited submissions.
Ultimately, with hard work, you can probably break in. I wish any of you trying luck, and I'll talk to you all later. Hopefully about VS. It's hard to talk VS when you don't have anyone to play with, but I'm trying to teach my girlfriend how to play. I don't think it's going well.
Ah, oh well. Enjoy your reading, your writing, and your gaming, in whatever order you most enjoy reading, writing, and gaming, and I'll be posting again semi-soon.
Labels:
Avatar Press,
comics,
Dark Horse,
Marvel comics,
writing
Tuesday, May 6, 2008
I Want To Write Comics: Supergirl
So, in case you haven't guessed - which would mean, I think, that you haven't been reading any of my posts - I love comics. I think comics is one of the best mediums we have today, and for all that I complain of the multitude of flaws I see in it, I nevertheless love comics. And while I am planning on getting a real-peoples job, going to graduate school to become a librarian, I still want to write comics. I really, really want to write comics.
Some people want to write their favorite characters. I'm a little weird. I would write anything, but given my preference, I'd want to write books I DIDN'T think were going very well. So, I'm occasionally going to put pitches up here. I suppose you could steal them, though I doubt you'll get very far with them as they'll all be rough & ugly first drafts, so...eh.
Supergirl. The Maid of Might. She was a fan-favorite Pre-Crisis. She was revamped into a madcap cult favorite by Peter David in the 90s. Recently, Loeb brought her back, and while her series began well, selling over 100k per issue, it's dropped rapidly, and so two years later, it's down to about 30k and falling fast. I don't like the current book. I haven't read it faithfully, but occasionally, I'll read an issue in the store, and I'm horrified. Supergirl often acts like kind of a ditz. She NEVER seems to win fights - she's always saved by other heroes. And she whines. Constantly.
So. Here's an idea for a Supergirl story - a pretty long one, and it's only the intro, but feel free to critique it as you will, or just completely ignore this post.
Okay, my idea for a Supergirl arc. All the characters mentioned save Crucible are pre-existing.
Supergirl is trying to figure her life out when Devastation, a woman with all the abilities of Wonder Woman, shows up and brutally assaults her. Supergirl manages to fight her off, however, fighting to a draw and then forcing Devastation to retreat as the authorities arrive.
Supergirl doesn’t spend much time reflecting on what happened, though – she takes it as merely another supervillain fight. Meanwhile, she gets into a conflict with Kate Spencer over how to deal with a random supervillain – Supergirl manages to talk Kate out of killing the villain, saying she’ll take responsibility for his actions* and make sure that he stays in jail.
This is how she meets Director Bones, but on her introduction to him, things get…strange. Supergirl manages to get Kate’s mask out of her suitcase and on due to her super-speed, sparing herself the worst of the mind-affecting illusions, but she is forced to fight her way free of the hallucinating, but deadly, DEO officers. Using her super senses, she discovers that a series of enchanted items have been disguised and left near DEO HQ. She destroys them, freeing the DEO from the effects.
They think the attack was against them, and ask Supergirl to team up with Manhunter to discover what’s going on. Manhunter and Supergirl begin to investigate current renegade sorcerers, but in the course of their investigation, the two of them are attacked again – this time, by General Wade Eiling. A fight ensues, which Supergirl and Manhunter win together, even managing to capture and confine Eiling for arrest.
Manhunter returns to the DEO, to deal with the legal side of Eiling’s capture, leaving Supergirl with a message – something strange is approaching the Earth, fast. The Justice League is away, and the DEO believes that Supergirl can be trusted with this. Before she leaves, she’s challenged to spar with Lady Shiva under terms she can’t resist. She accepts, thinking she'll win quickly, but despite her massive speed and power, she finds that she can’t use it in the same way when fighting someone who would break so easily to a full-powered blow, and ends up losing the fight rather than losing control of herself.
Humiliated, she rushes into space, where she discovers a member of the Sinestro Corps chasing a young-looking girl flying extraordinarily fast. She defends the child, and together, the two of them take out the Sinestro Corp member.
Supergirl learns that the girl, named Ariella, is lost in time and space and lacks a family. She genuinely feels for the girl, and so takes her on as her own. She learns that Ariella was a terror of the spaceways in the 853rd century and that she was being pursued because she had destroyed a yellow power ring that had tried to give itself to her…and that she’s still a little bit of a terror. Supergirl has to try and teach Ariella how to control her powers, when to and when not to use them.
Meanwhile, Devastation returns to wreak havok on Supergirl’s town, this time with back-up. Supergirl nearly dies preventing Devastation from killing a group of high school students, and as she lies there, she sees Devastation flee, also severely wounded. Supergirl passes out.
When she wakes up, she is severely weakened and being held underground in a laboratory. As she attempts to escape, she must use stealth, as her powers are being somehow surpressed, so she uses the skills she learned from Batman and Wonder Woman to sneak her way through the facility and get the jump on the man running the show – Abra Kadabra, confronting and subduing him without her powers, but almost accidentally killing him in the process.
She gets free of the facility and calls Kate for a pick-up, Abra in tow. We learn that Abra was doing this at the behest of another, though they cannot get him to admit who. Kara retires to her house to recuperate, only to find Lady Shiva waiting there. The two fight again, but Kara has her powers better under control, and she manages to hold her own without going all-out and risking seriously harming Shiva.
As a reward, Shiva tells her where Devastation is hiding out, and then makes her promise that they will fight one more time. Supergirl goes to where Devastation is and tries to find out why Devastation has attacked her so often – however, Devastation seems unnaturally violent. At first, she almost doesn’t seem to recognize Supergirl, but then she suddenly strikes. This time, barely, Supergirl manages to defeat and capture her, and turns her over to the DEO.
Arriving at the DEO, she learns that the DEO’s prison has been broken into and assaulted in an effort to get some prisoners free, and Supergirl is confronted with Eiling, Abra, the villain she kept imprisoning, and someone she doesn’t recognize, a villain named Crucible, who she learned broke them out. He also releases Devastation from her restraints.
Supergirl tries to fight them all, but she ends up getting extremely hurt. However, she does manage to keep them contained to the area, throwing herself without concern at whoever tries to escape the area. As Supergirl is worn down and fighting sloppily, Ariella shows up, as does Lady Shiva.
Shiva berates Supergirl for fighting so sloppily, and then she and Ariella enter the fray. Supergirl stands, brushes herself off, and proceeds to kick ass. Together with those two, Manhunter, Director Bones, and the rest of the DEO, all of the villains that escaped are captured.
We see Crucible in his cell, speaking to nothing about how after all these trials, all this power, he was supposed to kill Supergirl and his group of villains were to take over the world. He begs an invisible figure, who he calls Lord Conquest, to explain himself. Lord Conquest manifests and explains that this was not to forge the villains, but instead to forge Supergirl into his perfect tool. Crucible swears revenge on Supergirl.
Meanwhile, Lady Shiva shows up for their final fight, and Supergirl cleanly and quickly defeats her without risking killing her. Shiva tells Supergirl that she’s ready, and that Shiva has been told to offer her a powerful magical weapon. She reveals a sword belonging to one of the sons of Ares, saying that she feels that Supergirl is not in danger of being overwhelmed by it.
Supergirl stares at the weapon. She picks it up – then hands it back to Shiva, saying that she doesn’t need help from anyone, not even a god. Shiva smiles, and as Supergirl flies away, Shiva leaves the sword on Supergirl’s table, saying that Supergirl may need to take it up for what is to come.
*Supergirl’s promise would come up a couple more times over the course of the series. Once when the villain (I don’t yet know who) escapes and hurts people, and Manhunter confronts her about her responsibilities to the people, and a few more times as we see Supergirl begin to take more and more responsibility – the villain escapes one or two more times, and each time Supergirl catches and beats him quicker and quicker.
The story would probably be about 12 issues - my 1-year plan to revamp Supergirl. It could use A LOT of work - this is merely a very rough first draft. It's a little too concerned with making Supergirl grow up a little, but it could be a lot of fun. But, ah well. i don't know why I posted this here, other than out of a kind of boredom.
Have a great day!
Some people want to write their favorite characters. I'm a little weird. I would write anything, but given my preference, I'd want to write books I DIDN'T think were going very well. So, I'm occasionally going to put pitches up here. I suppose you could steal them, though I doubt you'll get very far with them as they'll all be rough & ugly first drafts, so...eh.
Supergirl. The Maid of Might. She was a fan-favorite Pre-Crisis. She was revamped into a madcap cult favorite by Peter David in the 90s. Recently, Loeb brought her back, and while her series began well, selling over 100k per issue, it's dropped rapidly, and so two years later, it's down to about 30k and falling fast. I don't like the current book. I haven't read it faithfully, but occasionally, I'll read an issue in the store, and I'm horrified. Supergirl often acts like kind of a ditz. She NEVER seems to win fights - she's always saved by other heroes. And she whines. Constantly.
So. Here's an idea for a Supergirl story - a pretty long one, and it's only the intro, but feel free to critique it as you will, or just completely ignore this post.
Okay, my idea for a Supergirl arc. All the characters mentioned save Crucible are pre-existing.
Supergirl is trying to figure her life out when Devastation, a woman with all the abilities of Wonder Woman, shows up and brutally assaults her. Supergirl manages to fight her off, however, fighting to a draw and then forcing Devastation to retreat as the authorities arrive.
Supergirl doesn’t spend much time reflecting on what happened, though – she takes it as merely another supervillain fight. Meanwhile, she gets into a conflict with Kate Spencer over how to deal with a random supervillain – Supergirl manages to talk Kate out of killing the villain, saying she’ll take responsibility for his actions* and make sure that he stays in jail.
This is how she meets Director Bones, but on her introduction to him, things get…strange. Supergirl manages to get Kate’s mask out of her suitcase and on due to her super-speed, sparing herself the worst of the mind-affecting illusions, but she is forced to fight her way free of the hallucinating, but deadly, DEO officers. Using her super senses, she discovers that a series of enchanted items have been disguised and left near DEO HQ. She destroys them, freeing the DEO from the effects.
They think the attack was against them, and ask Supergirl to team up with Manhunter to discover what’s going on. Manhunter and Supergirl begin to investigate current renegade sorcerers, but in the course of their investigation, the two of them are attacked again – this time, by General Wade Eiling. A fight ensues, which Supergirl and Manhunter win together, even managing to capture and confine Eiling for arrest.
Manhunter returns to the DEO, to deal with the legal side of Eiling’s capture, leaving Supergirl with a message – something strange is approaching the Earth, fast. The Justice League is away, and the DEO believes that Supergirl can be trusted with this. Before she leaves, she’s challenged to spar with Lady Shiva under terms she can’t resist. She accepts, thinking she'll win quickly, but despite her massive speed and power, she finds that she can’t use it in the same way when fighting someone who would break so easily to a full-powered blow, and ends up losing the fight rather than losing control of herself.
Humiliated, she rushes into space, where she discovers a member of the Sinestro Corps chasing a young-looking girl flying extraordinarily fast. She defends the child, and together, the two of them take out the Sinestro Corp member.
Supergirl learns that the girl, named Ariella, is lost in time and space and lacks a family. She genuinely feels for the girl, and so takes her on as her own. She learns that Ariella was a terror of the spaceways in the 853rd century and that she was being pursued because she had destroyed a yellow power ring that had tried to give itself to her…and that she’s still a little bit of a terror. Supergirl has to try and teach Ariella how to control her powers, when to and when not to use them.
Meanwhile, Devastation returns to wreak havok on Supergirl’s town, this time with back-up. Supergirl nearly dies preventing Devastation from killing a group of high school students, and as she lies there, she sees Devastation flee, also severely wounded. Supergirl passes out.
When she wakes up, she is severely weakened and being held underground in a laboratory. As she attempts to escape, she must use stealth, as her powers are being somehow surpressed, so she uses the skills she learned from Batman and Wonder Woman to sneak her way through the facility and get the jump on the man running the show – Abra Kadabra, confronting and subduing him without her powers, but almost accidentally killing him in the process.
She gets free of the facility and calls Kate for a pick-up, Abra in tow. We learn that Abra was doing this at the behest of another, though they cannot get him to admit who. Kara retires to her house to recuperate, only to find Lady Shiva waiting there. The two fight again, but Kara has her powers better under control, and she manages to hold her own without going all-out and risking seriously harming Shiva.
As a reward, Shiva tells her where Devastation is hiding out, and then makes her promise that they will fight one more time. Supergirl goes to where Devastation is and tries to find out why Devastation has attacked her so often – however, Devastation seems unnaturally violent. At first, she almost doesn’t seem to recognize Supergirl, but then she suddenly strikes. This time, barely, Supergirl manages to defeat and capture her, and turns her over to the DEO.
Arriving at the DEO, she learns that the DEO’s prison has been broken into and assaulted in an effort to get some prisoners free, and Supergirl is confronted with Eiling, Abra, the villain she kept imprisoning, and someone she doesn’t recognize, a villain named Crucible, who she learned broke them out. He also releases Devastation from her restraints.
Supergirl tries to fight them all, but she ends up getting extremely hurt. However, she does manage to keep them contained to the area, throwing herself without concern at whoever tries to escape the area. As Supergirl is worn down and fighting sloppily, Ariella shows up, as does Lady Shiva.
Shiva berates Supergirl for fighting so sloppily, and then she and Ariella enter the fray. Supergirl stands, brushes herself off, and proceeds to kick ass. Together with those two, Manhunter, Director Bones, and the rest of the DEO, all of the villains that escaped are captured.
We see Crucible in his cell, speaking to nothing about how after all these trials, all this power, he was supposed to kill Supergirl and his group of villains were to take over the world. He begs an invisible figure, who he calls Lord Conquest, to explain himself. Lord Conquest manifests and explains that this was not to forge the villains, but instead to forge Supergirl into his perfect tool. Crucible swears revenge on Supergirl.
Meanwhile, Lady Shiva shows up for their final fight, and Supergirl cleanly and quickly defeats her without risking killing her. Shiva tells Supergirl that she’s ready, and that Shiva has been told to offer her a powerful magical weapon. She reveals a sword belonging to one of the sons of Ares, saying that she feels that Supergirl is not in danger of being overwhelmed by it.
Supergirl stares at the weapon. She picks it up – then hands it back to Shiva, saying that she doesn’t need help from anyone, not even a god. Shiva smiles, and as Supergirl flies away, Shiva leaves the sword on Supergirl’s table, saying that Supergirl may need to take it up for what is to come.
*Supergirl’s promise would come up a couple more times over the course of the series. Once when the villain (I don’t yet know who) escapes and hurts people, and Manhunter confronts her about her responsibilities to the people, and a few more times as we see Supergirl begin to take more and more responsibility – the villain escapes one or two more times, and each time Supergirl catches and beats him quicker and quicker.
The story would probably be about 12 issues - my 1-year plan to revamp Supergirl. It could use A LOT of work - this is merely a very rough first draft. It's a little too concerned with making Supergirl grow up a little, but it could be a lot of fun. But, ah well. i don't know why I posted this here, other than out of a kind of boredom.
Have a great day!
Monday, February 4, 2008
The Losers
Ah, tragic news, my lovely friends, tragic news indeed. Shadowline, a branch of Image comics, recently hosted a comic book contest for writers. Now, most of you don't know me. It's my fondest dream to write comics. I don't particularly want to write movies or novels or even short stories. I wouldn't mind TV, but I don't particularly have the flair for it - also, most shows I've liked have ended pretty quickly, so I don't think that my tastes are the most...marketable.
Comics, though? I understand a lot about them. I'm no particular wunderkind, and I'm not a spectacular writer. But I love comics, and I'd like to think not in the creepy way that comic fans have a reputation for. I don't love just a few characters - I love the medium. I love Y: the Last Man just as much as I love All-Star Superman. I love John Roger's Blue Beetle and I love Ed Brubaker's Captain America. I just downright love comic books. I talked about why, earlier, so I won't go into it again.
So, yeah, contest. 5,000 entries. Very, very obviously, I have a minute chance of winning. My pitches, I made four, were varied in quality. Two were very, very good, I thought. Two were...eh. Not bad, not great. I had real hopes for two of them.
The top 10, the people moving to the next round of the competition, were announced today, and alas! but I am not on that list. I check four or five times, just in case.
I know it's not the the end of my chances to break into the industry, not even close. And it's not the only thing I hope to do with my life. But...not being an artist myself means it'll be about 100 times harder to get in the industry, and getting into grad school is getting to be a pretty huge hassle.
Well. Life can be a hassle at times. Still, I have to hope. Wish me luck!
Comics, though? I understand a lot about them. I'm no particular wunderkind, and I'm not a spectacular writer. But I love comics, and I'd like to think not in the creepy way that comic fans have a reputation for. I don't love just a few characters - I love the medium. I love Y: the Last Man just as much as I love All-Star Superman. I love John Roger's Blue Beetle and I love Ed Brubaker's Captain America. I just downright love comic books. I talked about why, earlier, so I won't go into it again.
So, yeah, contest. 5,000 entries. Very, very obviously, I have a minute chance of winning. My pitches, I made four, were varied in quality. Two were very, very good, I thought. Two were...eh. Not bad, not great. I had real hopes for two of them.
The top 10, the people moving to the next round of the competition, were announced today, and alas! but I am not on that list. I check four or five times, just in case.
I know it's not the the end of my chances to break into the industry, not even close. And it's not the only thing I hope to do with my life. But...not being an artist myself means it'll be about 100 times harder to get in the industry, and getting into grad school is getting to be a pretty huge hassle.
Well. Life can be a hassle at times. Still, I have to hope. Wish me luck!
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